> “What helped this entire process is, I’ve got to give it up to August Wilson,” Fisher said during an interview at the Variety Studio, sponsored by J.Crew and SharkNinja, at the Toronto International Film Festival. “The juxtaposition that existed within the piece, within the character. I think there’s a little of Lymon Jackson in all of us. There’s an innocence about him in this piece that many lose as time passes, especially when you endure such hardship. For me, it was a palate cleanser in many ways because I’ve endured specific hardships in my life and some career hardships. Being able to come back into this space and say, ‘I don’t want to get hung up on this. I don’t want to feel resentful for anything that happened.’ I want to move on, and that’s what Lymon represents.”
CathedralEngine on
The Piano, The Piano Teacher, and The Piano Lesson is the triple feature I’m looking forward to.
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> “What helped this entire process is, I’ve got to give it up to August Wilson,” Fisher said during an interview at the Variety Studio, sponsored by J.Crew and SharkNinja, at the Toronto International Film Festival. “The juxtaposition that existed within the piece, within the character. I think there’s a little of Lymon Jackson in all of us. There’s an innocence about him in this piece that many lose as time passes, especially when you endure such hardship. For me, it was a palate cleanser in many ways because I’ve endured specific hardships in my life and some career hardships. Being able to come back into this space and say, ‘I don’t want to get hung up on this. I don’t want to feel resentful for anything that happened.’ I want to move on, and that’s what Lymon represents.”
The Piano, The Piano Teacher, and The Piano Lesson is the triple feature I’m looking forward to.